Wednesday, October 16, 2013

Writing about yourself as a COMPLEX character: due Fri 10/18 by 11:59pm

COMPLEX: that's a word we're going to see a lot this year, and probably the favorite word of the AP prompt-writers.  Complex is a code word.  The AP prompt writers don't necessarily want you to be able to decipher the code, but I want you to know the code.  When you see this word, you should immediately translate it to mean:

There are two seemingly contradictory sides to this situation.
 
And therefore: you need to FIND the two seemingly dichotomous sides.
 
If the AP prompt asks you to discuss a complex character, you need to find two seemingly-opposite sides to the character.  (He is both insecure AND arrogant. / The author shows that she feels both love AND animosity towards her brother.) 
 
If the AP prompt asks you to discuss the author's complex attitude towards [whatever], you need to find two seemingly diametric attitudes present in the text.  In John Donne's poem about love, "The Broken Heart" (we read this in class), the imagery reveals that he considers love both destructive AND irresistable.  We might say that Lutie had a complex relationship with the city's urban environment in that, though the city antagonizes Lutie, she nevertheless relies on it for her survival.
 
Good authors portray their characters and their themes as complex, because life IS complex. Good AP Lit students likewise identify complexities in texts because they're smart, and they know that life is complex.
 
So!  To help you internalize this concept and simultaneously help you understand better how authors use direct and indirect methods to provide characterization, you are going to write about YOURSELF as a complex character.
 
Here are the rules:
1.) You may not write in first person as yourself.  You can write in first person as someone else observing you, but you cannot simply describe yourself in first person.
2.) You can also write in limited 3rd person, in omniscient 3rd person, or in 2nd person. (If you can't remember what these different points of view are, refer to the "Point of View" chapter in your brown textbook.)
3.) You need to reveal two apparently diametric sides of yourself.
4.) You need to employ mostly indirect methods of characterization.  (Try your best.)
 
If you need an example, I've provided one below.
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Note: yours doesn't have to be this long.  I started having fun with this and just kept it going.
The waiters must have puzzled over the sight.  There, in the middle of the Chinese restaurant at approximately 4:30 in the afternoon, sat three senior citizens and one young woman.  The girl was too old to be under the guardianship of any of her elderly tablemates, but too young to have any plausible reason for being there.  One waitress speculated that she was the trophy wife of the man seated next to her, but was quickly rebuffed by the hostess who pointed out that there was no flashy jewelry on her hands.  Someone else guessed she might be a hired nurse for one of the others, yet that theory too was challenged when it was observed the elder guests appeared to be relatively spry--even lively.  A snippet of conversation finally revealed the mystery; the girl was overheard asking her “Grandpa” to pass the water pitcher.   The wait staff rolled their eyes at the disclosure; it was a disappointingly ordinary explanation.
At one point, the girl furtively examined her phone, sneaking it past the watchful gaze of her dinner partners, who would certainly have declaimed the device as a sign of her generation’s imminent demise.  She scowled at the words on the screen and pushed it back into her purse with a shove.  Her participation in the conversation noticeably dwindled; her head bowed in a sulk as she listlessly pushed her food across her plate, only raising her head to eventually acknowledge the arrival of the check—not that she was paying. 
Later, the girl and her grandfather would travel to their shared home; he would chat happily about the musical they had seen and make various proposals for how they might spend their evening.  She, in turn, would listen to his movie suggestions—always political thrillers—and continue brooding.   His comment about the lead actor’s antics drew a half-hearted smile; then, she turned away to look out at the fading afternoon.  She hoped he didn’t notice her sigh.
Once arriving home, there was only one thing to do.  The political thriller could wait. 
“Grandpa?  I’m going for a bike ride.  I’ll be back in an hour.”
“It’ll be dark soon sweetheart,” he responded, ever mindful of his granddaughter’s well-being.
“I know.  I’ll be back before then.”  She pushed the garage door open, and reminded herself to call back to him.  “Love you Gramps.”
“Love you sweetheart.”
The Burke-Gilman trail opened up beneath the rubber tires which churned over the cement.  She gulped in the air, tasting the crispness of summer slipping away.  “Why be angry?” she demanded of herself.  It had been her choice to stay with her grandpa, after all.  The thought made her legs push the pedals down harder and the bike leapt forward, jolting her body over potholes, gobbling up dried leaves foolish enough to drift in its way.  The burning of her muscles only seemed to increase her frustration.  It was just a weekend-- just a stupid weekend.  She mentally berated herself.  “So ungrateful.”
She rode past the Metropolitan Market, impatiently maneuvering her bike through the slow pedestrians dawdling at the crosswalk.  On through the shadowy stretch, the long gradual hill where it always got darkest first.  Then past the University building with the inexplicable waterfalls, great sheets of water on the second story, pounding down from what appeared to be the underside of the brick ceiling.  She didn’t have the patience to wonder about its presence or purpose today, and pushed on.
The goal had been to make it to Gasworks Park, but the sun’s low sling in the sky wouldn’t give her time for that.  With a sigh, she decided to push the bike up into campus instead.  Maybe the fountain would be on.  The rhythm of her breathing offered up a mantra: let it go, let it go, let it go. 
Keeping her eyes on the crunching gravel path which stretched uphill towards campus, she didn’t notice the roses until their scent accosted her. She glanced up at her surroundings and instinctively squeezed the hand brake to stop.
It was beautiful.
The late summer sunshine had left the wide circle of roses in shadow, but its warmth hadn’t left their petals; their sweet perfume wafted around her.  The fountain in the center of them all burst up its tall pillar of spray, each droplet falling and rippling into the pool below.
It was so beautiful.
Slowly, she eased the bike forward with the same solemn awe one finds in museum visitors as they take in priceless works of art.  Riding her bike in a slow circle around the fountain, she gazed at the full roses surrounding it—lavender, magenta, yellow and orange, the palest pink, and the deepest red.  Then she looked up towards the great height of the fountain’s spray.  The stream’s highest 18 inches managed to reach above the long shadows cast by the surrounding brick buildings, and where it leapt up into the fading sun, it became miraculous.  The prism of water caught all the rich colors of the light and refracted them in beams, in rainbows, in tosses and whirls of color.  The girl sucked in her breath, and stared at the pillar’s summit with rapt concentration. 
Suddenly, the phrase beamed into her head, without prompting, without reflection.  It didn’t even seem to belong to her, but its message was more insistent and clear than her own tangle of thoughts ever managed to be.
This is here for you to find, every day. 
She turned the phrase over in her mind, testing it.  She tasted the words, and let their message work peace into her synapses, her marrow, her red and white cells, her fibers and tendons and pores.  It was like waking from a heavy sleep. 
Breathing deeply, she slowly rode once more around the path encircling the fountain, doing her best to drink in the medicinal beauty that surrounded her. 
Then, she pointed the bike towards home.
The lightness that had eluded her all weekend clipped along beside her.  With her head raised and her eyes bright from either cold or revelation, the pedals moved readily beneath her feet.  She grinned as she pushed the bike into the garage, and pulled her helmet off.
“Grandpa?” she called eagerly, entering the house.
“Hiiii!” he called, in the way he always did.  “Perfect timing!  ‘Dancing with the Stars’ just ended!”
“Oh good!” she called back.  “Do you have your dessert yet?  I can warm up the applesauce if you want.”
“I’ll do it,” he said, thumping lightly down the stairs in his slippers and sweats.  “You go ahead and change, and then you can help me with the cookies.”  He passed her on the landing and grinned.  “What do you think about ‘Pelican Brief’ tonight?”
“A political thriller?” she grinned, feigning surprise.  You? Want to watch a political thriller?”
“You know how I love political thrillers,” he called from the kitchen.
She did.  And she was once more able to love him for it.

 

               

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